What CRITICS are saying.

“TRINDER EFFORTLESSLY DELINEATES HER FIVE CHARACTERS WITHOUT RESORT TO TYPE, AND DIRECTOR FRANCESCA SAVIGE HAS BEAUTIFULLY BALANCED THE CASTING AND MAXIMISED TRINDER’S CONSIDERABLE WIT. SHE’S SHREWDLY MADE A FAIRLY SEDENTARY PLAY THREE-DIMENSIONAL, AIDED BY TOBHIYAH STONE FELLER’S IMAGINATIVE DESIGN, WHICH IS ALWAYS IN PERFECT HARMONY WITH SAVIGE’S LIGHT TOUCH.”

— John Shand, SMH - Killing Katie, 2022

“TOBHIYAH STONE FELLER DOES BRILLIANTLY AS DESIGNER, WITH UNFORGETTABLE WORK ON COSTUMES AND MAKEUP THAT DELIVER EXTRAORDINARY WHIMSY AND QUITE UNEXPECTED BEAUTY”

— Suzy Wrong, Suzy Goes See - Night Parade of 100 Goblins, 2020

“The Set Design by Tobhiyah Stone Feller, is one of the best I have seen in this small space. It has a fluidity and integral, organic, aesthetic that seems to seamlessly move from the location demands, one to the other, of the play, with minimal effort.
GOOD PEOPLE is really good writing, supported by a really good production, all round. Go.”

— Kevin Jackson - Good People, 2016

“EXCEPTIONAL ACTING IN A COMPASSIONATE PRODUCTION. STRUCTURALLY, THE PLAY IS JUST A CUMULATIVE SERIES OF CONVERSATIONS WHICH KILMURRY LOCATES ON TOBHIYAH STONE FELLER’S STARK, NON-LITERAL SET SO THEY NEVER SEEM CONTRIVED. ★★★★”

— Sydney Morning Herald - My Zinc Bed, 2015

“The intimate Reginald Theatre has never looked better than it does with a stunning design by Tobhiyah Feller and lighting by Jenny Vila”

— TimeOut - Variant, 2012